ANKARA \u2013<\/strong>\u00a0\u0130lk K\u00fcrt\u00e7e slow blues alb\u00fcm\u00fc, \u201cRon\u201du 2012 y\u0131l\u0131nda dinleyicilerle bulu\u015fturan Ercan Bing\u00f6l, ikinci alb\u00fcm i\u00e7in de kollar\u0131 s\u0131vad\u0131. \u0130lk alb\u00fcm\u00fc \u00e7\u0131kt\u0131\u011f\u0131nda \u201cK\u00fcrt\u00e7e blues olur mu?\u201d s\u00f6zleriyle kar\u015f\u0131lanan Bing\u00f6l, bug\u00fcnse K\u00fcrt\u00e7e blues metodolojisi olu\u015fturmak i\u00e7in \u00e7al\u0131\u015f\u0131yor. Bing\u00f6l, K\u00fcrt m\u00fczisyenleri motive edece\u011fini ve blues\u2019u \u00f6\u011frenmelerine katk\u0131 sa\u011flayaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc hem yaz\u0131l\u0131 hem de g\u00f6rsel bir kaynak haz\u0131rl\u0131\u011f\u0131 i\u00e7erisinde.<\/p>\nBing\u00f6l\u2019\u00fcn k\u0131sa bir s\u00fcre sonra \u00e7\u0131kacak yeni alb\u00fcm\u00fcnde 10 Ekim Katliam\u0131\u2019nda hayat\u0131n\u0131 kaybeden Dicle Deli\u2019nin ailesi ve arkada\u015flar\u0131n\u0131n yazd\u0131\u011f\u0131 bir \u015fark\u0131 da yer alacak. Alb\u00fcm\u00fcn \u00e7\u0131kmas\u0131n\u0131n ard\u0131ndan \u0130stanbul ve Ankara\u2019da konserler verecek olan Bing\u00f6l\u2019\u00fcn sorular\u0131m\u0131za yan\u0131tlar\u0131 \u015f\u00f6yle oldu:<\/p>\n
M\u00fczikle ili\u015fkiniz nas\u0131l ba\u015flad\u0131?<\/strong><\/p>\nDo\u011fdu\u011fum K\u00fcrt k\u00fclt\u00fcr\u00fc anonim eserler a\u00e7\u0131s\u0131ndan \u00e7ok zengin. O nedenle m\u00fczikle i\u00e7 i\u00e7e b\u00fcy\u00fcd\u00fcm. \u00c7ocukken dahi dinler, icra ederdik. Enstr\u00fcmanla tan\u0131\u015fmam ise daha ge\u00e7, 18 ya\u015f\u0131nda oldu. \u0130lk tan\u0131\u015ft\u0131\u011f\u0131m enstr\u00fcman da kap\u0131 kom\u015fumuz arac\u0131l\u0131\u011f\u0131yla ba\u011flama oldu. Sonra buna kabak kemane, ud, c\u00fcmb\u00fc\u015f gibi enstr\u00fcmanlar eklendi.<\/p>\n
Profesyonel kariyeriniz nas\u0131l ba\u015flad\u0131?<\/strong><\/p>\n\u00d6\u011frencilik y\u0131llar\u0131mda geleneksel orkestralarda belli ba\u015fl\u0131 mekanlarda m\u00fczik yaparak profesyonel anlamda \u00e7al\u0131\u015fmaya ba\u015flad\u0131m. Profesyonelli\u011fi m\u00fczikten para kazanmak olarak kuruyorsak bu b\u00f6yle. Ama manevi olarak profesyonel hissedip projelerle ilgilenmem, m\u00fczik yapt\u0131\u011f\u0131m ortamlardan kopup kendi i\u00e7ime d\u00f6nd\u00fc\u011f\u00fcmde ba\u015flad\u0131. Olumlu anlamdaki kopu\u015f bende farkl\u0131 bir kanal a\u00e7t\u0131.<\/p>\n
\u2018\u00d6TEK\u0130LERE H\u0130TAP EDEN B\u0130R YANI VAR BU M\u00dcZ\u0130\u011e\u0130N\u2019<\/strong><\/p>\nGe\u00e7mi\u015fte Rock \u015fark\u0131lar\u0131 K\u00fcrt\u00e7e seslendirdi\u011finiz konserler d\u00fczenlediniz. Sonras\u0131nda ise K\u00fcrt\u00e7e blues s\u00f6ylemeye ba\u015flad\u0131n\u0131z. Bu s\u00fcre\u00e7 nas\u0131l geli\u015fti?<\/strong><\/p>\nM\u00fczik yapt\u0131\u011f\u0131m grupta gitarist arkada\u015f\u0131m\u0131n K\u00fcrt\u00e7e bir ezgiyi sadece solist ve gitar\u0131yla icra etmesiyle blues\u2019u teknik olarak hissetmi\u015ftim. O arkada\u015flar\u0131m da \u015fimdi K\u00fcrt\u00e7e heavy metal yap\u0131yorlar. \u0130\u015fitsel anlamda blues beni \u00e7ok \u00e7arpt\u0131. A\u015f\u0131r\u0131 \u00e7arp\u0131lmadan sonra blues\u2019u hangi enstr\u00fcmanlarla icra edece\u011fime kafa yorunca akustik gitar ve elektronik gitar edinip bu i\u015fe koyuldum. Blues tarihini okudu\u011fumda, neden \u00e7\u0131kt\u0131\u011f\u0131, nas\u0131l \u00e7\u0131kt\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcnce, T\u00fcrkiye\u2019de ya\u015fayan bir K\u00fcrt olarak, \u201cAfro-Amerikal\u0131lar blues\u2019u K\u00fcrtler i\u00e7in yapm\u0131\u015f\u201d dedim. Bize bir arma\u011fan sunmu\u015flar gibi hissettim. Bu topraklardaki b\u00fct\u00fcn \u00f6tekiler i\u00e7in yap\u0131lm\u0131\u015f bir m\u00fczik hissiyat\u0131 olu\u015ftu bende. Arkada\u015flar\u0131ma hep s\u00f6yl\u00fcyorum. Afro-Amerikal\u0131lar blues\u2019u Ermeniler i\u00e7in de Aleviler i\u00e7in de i\u015f\u00e7iler i\u00e7in de yapt\u0131lar. \u2018\u00d6tekilere\u2019 hitap eden bir yan\u0131 var bu m\u00fczi\u011fin. Alt yap\u0131s\u0131n\u0131 inceleyip kafa yorunca o gece o sahnede o gitarist arkada\u015f\u0131m\u0131 do\u011fru duymu\u015fum dedim ve maceram ba\u015flad\u0131.<\/p>\n
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\u2018DAHA BLUES ALMANCA YAPILMADAN ADAM K\u00dcRT\u00c7E YAPMI\u015e\u2019<\/strong><\/p>\nEk\u015fi S\u00f6zl\u00fck\u2019te ad\u0131n\u0131za a\u00e7\u0131lan ba\u015fl\u0131\u011f\u0131n alt\u0131nda bir kat\u0131l\u0131mc\u0131, \u201cK\u00fcrt\u00e7e blues m\u00fc olur\u201d diyerek sizi dinlemeye ba\u015flad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. \u0130lk ba\u015flad\u0131\u011f\u0131n\u0131zda buna benzer tepkiler ald\u0131n\u0131z m\u0131?<\/strong><\/p>\nAlb\u00fcm kay\u0131tlar\u0131n\u0131 Ankara\u2019daki st\u00fcdyoda yapt\u0131k. Bir\u00e7ok m\u00fczisyen ve sanat\u00e7\u0131yla tan\u0131\u015ft\u0131m. Pop\u00fcler olan, pop\u00fcler olacak olan\u2026 Kay\u0131tlar devam ederken verdi\u011fimiz aralarda hemen hemen hepsi, \u201cA\u015fa\u011f\u0131da saksafon \u00e7al\u0131n\u0131yor. Bir armonika var. Adam K\u00fcrt\u00e7e s\u00f6yl\u00fcyor\u201d diye \u015fa\u015f\u0131r\u0131yorlard\u0131. \u201cK\u00fcrt\u00e7e s\u00f6yl\u00fcyor saksafonun ne i\u015fi var orada\u201d diyorlard\u0131. O m\u00fczisyenler bile buna bu kadar yabanc\u0131la\u015fm\u0131\u015fsa, \u015fa\u015f\u0131rm\u0131\u015fsa bir Ek\u015fi S\u00f6zl\u00fck yazar\u0131 ve dinleyicisinin \u00f6yle d\u00fc\u015f\u00fcnmesi do\u011fal geliyor. \u201cDaha blues Almanca yap\u0131lmadan adam K\u00fcrt\u00e7e yapm\u0131\u015f\u201d diye tepkiler de duydum. Blues\u2019u sosyolojik tabana oturttu\u011funuz zaman kar\u015f\u0131l\u0131\u011f\u0131n\u0131 buluyor. Sadece m\u00fczikal formun yaratt\u0131\u011f\u0131 bir \u015fey de\u011fil.<\/p>\n
\u2018AMER\u0130KALI S\u0130YAHIN DERD\u0130 NEYSE K\u00dcRT B\u0130R\u0130N\u0130N DE DERD\u0130 O OLMALI\u2019<\/strong><\/p>\nBlues\u2019un, Afrika\u2019daki siyahlar\u0131n Amerika\u2019ya k\u00f6le olarak g\u00f6t\u00fcr\u00fcl\u00fcp, k\u00fclt\u00fcrlerinden, ya\u015fad\u0131klar\u0131 yerden kopar\u0131lmalar\u0131 \u00fczerine s\u00f6yledikleri s\u00f6zl\u00fc a\u011f\u0131tlar olarak do\u011fdu\u011funu biliyoruz. Siz K\u00fcrt k\u00fclt\u00fcr\u00fc ile nas\u0131l ili\u015fkilendiriyorsunuz blues\u2019un do\u011fu\u015funu?<\/strong><\/p>\nBunu hem m\u00fczikal form hem de toplumsal yap\u0131 \u00fczerinden a\u00e7\u0131klayabilirim. M\u00fczikal form olarak ortak noktalar\u0131 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Blues\u2019da serbest \u00e7alabilece\u011finiz bir ritm kal\u0131b\u0131 \u00fczerine m\u00fczikler mevcut. Bu serbest okuma, bazen \u00e7\u0131\u011f\u0131rma, bazen kendine d\u00f6n\u00fcp r\u00f6lantide s\u00f6yleme kafamda hep bizim dengbej gelene\u011fiyle birle\u015fti. \u00d6zellikle slow blues \u015fark\u0131larda derdini anlatmaya ba\u015flars\u0131n, \u015fark\u0131 ne olacak diye bekletir. Dengbej k\u00fclt\u00fcr\u00fcnde de bu b\u00f6yle. Kendi can\u0131n\u0131 yakan dik seslere ve fiziken de zorlayan seslere \u00e7\u0131kar ve ac\u0131 o zaman daha iyi hissettirilir. Dengbejde de bu b\u00f6yle. \u0130kisi de \u00e7ok serbest, ikisi de bir derdi anlat\u0131yor. \u00d6rne\u011fin Amerikal\u0131 bir blues sanat\u00e7\u0131s\u0131n\u0131n Beverly Hills piyasas\u0131nda vadeli hesaptan vurgun yapan birisi olmas\u0131n\u0131 beklemiyorsunuz. \u201c\u00c7ocuklar\u0131mla tart\u0131\u015ft\u0131m Bodrum\u2019daki yazl\u0131\u011f\u0131 onlara kapt\u0131rd\u0131m\u201d diyen birisi de blues yapamaz. Sistemle her an i\u00e7 i\u00e7e ge\u00e7me ihtimali olan, \u201csistem nereye evrilirse ben de oraya y\u00f6nelirim\u201d diyen bir K\u00fcrt de blues yapamaz. Blues yapabilmek i\u00e7in o Amerikal\u0131 siyah\u0131n derdi neyse K\u00fcrt birinin de derdi o olmal\u0131.<\/p>\n
\u2018BU TOPRAKLARDAK\u0130 K\u00dcRT M\u00dcZ\u0130SYEN DE BUNU YAPAB\u0130LMEL\u0130\u2019<\/strong><\/p>\nAmerika\u2019da blues yapan siyahlar\u0131n \u015fark\u0131lar\u0131ndaki \u201cbaby\u201d kelimesini kullan\u0131rken hissettirmeden patronunu ima eden, hicveden yan\u0131n\u0131 g\u00f6r\u00fcyoruz. \u201cBaby\u201d dedi\u011finde ironilerle, \u00fcst\u00fc \u00f6rt\u00fcl\u00fc hicivlerle kendisini s\u00fcrekli g\u00f6zeten patronunu ele\u015ftiren \u015fark\u0131lar yaz\u0131yorlar. O \u00fcstteki patron yumu\u015fak narin anlam\u0131ndaki \u201cbaby\u201d kelimesini e\u015fine kar\u015f\u0131 kullan\u0131rken, o siyah o kelimeyi patronuna yakalanmadan ele\u015ftirmek i\u00e7in kullan\u0131yor. Dolay\u0131s\u0131yla bu topraklardaki bir K\u00fcrt m\u00fczisyen de bunu yapabilmeli. En az\u0131ndan ben yapt\u0131\u011f\u0131m\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. \u015eifreler var alb\u00fcmlerde.<\/p>\n
\u2018\u0130K\u0130 FARKLI HAVA YAKALIYORUZ\u2019<\/strong><\/p>\nKonserlerinize gelip ilk defa K\u00fcrt\u00e7e blues \u015fark\u0131 dinleyenlerin tepkileri nas\u0131l oluyor?<\/strong><\/p>\nCanl\u0131 performans \u00e7ok farkl\u0131 bir \u015fey. Konser bitiyor \u2018bunu alb\u00fcmde nas\u0131l yapmad\u0131m\u2019 diyorsunuz. Do\u011fa\u00e7lama \u00fczerine kendini kurabilen bir \u015fey blues. Alb\u00fcmde rahatl\u0131kla \u00e7\u0131\u011f\u0131ramad\u0131\u011f\u0131m s\u00f6zleri ya da sesleri sahnede yapabiliyorum. \u0130nsanlar K\u00fcrt\u00e7e bunu hi\u00e7 duymam\u0131\u015flar ama vokal tekni\u011fini yabanc\u0131la\u015fmadan dinliyorlar. Vokaldeki o \u00e7\u0131\u011fl\u0131\u011f\u0131 \u015eakiro adl\u0131 dengbejimizi \u00e7ok dinleyen K\u00fcrt dinleyicileri \u00e7ok benimsiyorlar, diye tahmin ediyorum. Canl\u0131 performanslarda alb\u00fcm\u00fc dinleyip gelenler iki farkl\u0131 Ercan Bing\u00f6l\u2019le kar\u015f\u0131la\u015f\u0131yorlar. Sahnenin belli yerlerinde g\u00f6zlemliyorum ki irkilerek farkl\u0131 bir \u015fey duyup bana y\u00f6neliyorlar. \u0130ki farkl\u0131 hava yakal\u0131yoruz.<\/p>\n
Alb\u00fcm\u00fcn\u00fcz sahnede mi tamamlan\u0131yor?<\/strong><\/p>\nBir anlamda evet \u00f6yle. \u00c7arp\u0131c\u0131 bir \u015fey s\u00f6ylediniz. Bunu b\u00f6yle d\u00fc\u015f\u00fcnmemi\u015ftim.<\/p>\n
\u2018GODOT\u2019YU BEKLERKEN ESER\u0130NDEN ES\u0130NLENM\u0130\u015eT\u0130M\u2019<\/strong><\/p>\n\u015eark\u0131 s\u00f6z\u00fc de yaz\u0131yorsunuz besteleriniz de var. \u201cBluesa Benda S\u00een\u00ea\u201d, \u201cB\u00eanav\u201d ve \u201cNe Pir Dereng E\u201d gibi \u015fark\u0131lar\u0131n\u0131z en \u00e7ok dinlenenler aras\u0131nda. \u015eark\u0131lar\u0131n\u0131z\u0131n hikayeleri neler?<\/strong><\/p>\nBenav \u015fark\u0131s\u0131, do\u011fmam\u0131\u015f, do\u011famam\u0131\u015f bir \u00e7ocu\u011fa yaz\u0131ld\u0131. Ne Pir Dereng E yine \u00f6zlemin \u00e7ok yo\u011fun ya\u015fand\u0131\u011f\u0131 ve art\u0131k \u00e7aresizli\u011fin ya\u015fand\u0131\u011f\u0131 bir havada yaz\u0131ld\u0131. Daha melankolik zamanlar\u0131n \u00fcr\u00fcn\u00fcyd\u00fc. Bluesa Benda S\u00een\u00ea\u2019nin T\u00fcrk\u00e7esi de S\u00een\u00ea’yi Beklemek Blues\u2019u. Orada da \u015fark\u0131 ad\u0131n\u0131 Samuel Beckett\u2019in Godot\u2019yu Beklerken eserinden esinlenmi\u015ftim. O isimdeki ki\u015finin hi\u00e7 gelmeyece\u011fi \u00fczerinden yola \u00e7\u0131karak yazm\u0131\u015ft\u0131m.<\/p>\n
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\u201cBlues\u2019da serbest \u00e7alabilece\u011finiz bir ritm kal\u0131b\u0131 \u00fczerine m\u00fczikler mevcut. Bu serbest okuma, bazen \u00e7\u0131\u011f\u0131rma, bazen kendine d\u00f6n\u00fcp r\u00f6lantide s\u00f6yleme kafamda hep bizim dengbej gelene\u011fiyle birle\u015fti.\u201d<\/strong><\/p>\n<\/div>\n\u2018TERS K\u00d6\u015eEYE YATIRAN BESTELER OLAB\u0130L\u0130YOR\u2019<\/strong><\/p>\nBlues \u015fark\u0131lar yazman\u0131n di\u011fer t\u00fcrlerde \u015fark\u0131 yazmadan fark\u0131 var m\u0131?<\/strong><\/p>\nBlues\u2019da yaln\u0131zca ac\u0131lar\u0131 anlatm\u0131yorsunuz. Sevin\u00e7leri, mutluluklar\u0131 da anlat\u0131yorsunuz. M\u00fczikal form olarak farkl\u0131 bir \u015fekilde i\u015flenmesi gerekiyor. K\u00fcrt\u00e7e blues yaparken ben hi\u00e7 bir arada kullan\u0131lmam\u0131\u015f kelimeleri bir araya getirmeye \u00f6zen g\u00f6steriyorum. \u00d6yle bir s\u0131fat ya da isim tamlamas\u0131 kullan\u0131ls\u0131n ki dinleyen ki\u015fi, \u201cYa ben bu dilde bu iki kelimeyi hi\u00e7 bir araya getirmemi\u015ftim. Bu adam ne yapt\u0131 da getirdi\u201d diyebilsin. Onu kula\u011f\u0131n hi\u00e7 i\u015fitmedi\u011fi m\u00fczikal bir formla da icra etti\u011finiz zaman iki taraftan bir etki g\u00fcc\u00fc s\u00f6z konusu oluyor. Blues besteler bu y\u00fczden daha ters k\u00f6\u015feye yat\u0131ran besteler olabiliyor.<\/p>\n
\u00c7al\u0131\u015fmalar\u0131n\u0131z nas\u0131l devam edecek? Yeni alb\u00fcm \u00e7al\u0131\u015fmalar\u0131na ba\u015flad\u0131n\u0131z m\u0131?<\/strong><\/p>\n\u0130lk alb\u00fcm\u00fcm \u2018Ron\u2019 alt\u0131 y\u0131l \u00f6nce \u00e7\u0131km\u0131\u015ft\u0131. Ard\u0131ndan bu kadar ara verece\u011fimi d\u00fc\u015f\u00fcnm\u00fcyordum a\u00e7\u0131k\u00e7as\u0131. Araya baz\u0131 \u00e7al\u0131\u015fmalar girdi. Bunlardan birisi, K\u00fcrt\u00e7e blues metodolojisi olu\u015fturmak oldu. Yaz\u0131l\u0131 ve K\u00fcrt\u00e7e olarak blues\u2019u anlatan bir \u00e7al\u0131\u015fma i\u00e7erisindeyim. Bunun gen\u00e7 K\u00fcrt m\u00fczisyenleri motive edece\u011fini d\u00fc\u015f\u00fcn\u00fcyorum. Ayr\u0131ca y\u00f6netmen Medet Dilek\u2019in Ko\u00e7giri \u0130syan\u0131\u2019n\u0131 anlatan \u201cTa\u015f D\u00fc\u011fmeler\u201d belgeselinin m\u00fcziklerini yapt\u0131m. O m\u00fczikleri de bu hafta payla\u015ft\u0131k. Yeni alb\u00fcm haz\u0131rl\u0131klar\u0131 da devam ediyor. Dinleyicilere \u201cs\u00fcrprizlere a\u00e7\u0131k olun\u201d diyorum. \u0130kinci alb\u00fcm \u00e7al\u0131\u015fmalar\u0131 devam ederken 10 Ekim Katliam\u0131\u2019nda ya\u015fam\u0131n\u0131 yitiren Dicle Deli\u2019nin ailesi ve arkada\u015flar\u0131 bana ula\u015ft\u0131. Onlar\u0131n Dicle i\u00e7in yazd\u0131\u011f\u0131 bir \u015fark\u0131y\u0131 seslendirmemi istediler. Aranjelerini yapt\u0131m. \u0130kinci alb\u00fcmde Dicle Deli ve 10 Ekim Katliam\u0131\u2019nda ya\u015fam\u0131n\u0131 yitirenlerin an\u0131s\u0131na bu eseri seslendirece\u011fim. Canl\u0131 performanslar da yak\u0131n zamanda Ankara ve \u0130stanbul\u2019da devam edecek.<\/p>","protected":false},"excerpt":{"rendered":"
‘Afro-Amerikal\u0131lar blues’u K\u00fcrtler i\u00e7in yapm\u0131\u015f’ ttps:\/\/www.gazeteduvar.com.tr\/kultur-sanat\/2018\/10\/28\/afro-amerikalilar-bluesu-kurtler-icin-yapmis\/ ‘K\u00fcrt\u00e7e blues’ \u015fark\u0131lar seslendiren Ercan Bing\u00f6l ikinci alb\u00fcm\u00fcne haz\u0131rlan\u0131yor. Blues ile dengbej gelene\u011finde ortakl\u0131klar oldu\u011funa dikkat \u00e7eken Bing\u00f6l, \u201cBlues tarihini [\u2026]<\/span><\/p>","protected":false},"author":2,"featured_media":584,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[6],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/ercanbingol.com\/wp-content\/uploads\/2018\/10\/img_1820.jpg?fit=736%2C414&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8EN6E-9r","jetpack_likes_enabled":false,"_links":{"self":[{"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/posts\/585"}],"collection":[{"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/comments?post=585"}],"version-history":[{"count":25,"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/posts\/585\/revisions"}],"predecessor-version":[{"id":1149,"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/posts\/585\/revisions\/1149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/media\/584"}],"wp:attachment":[{"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/media?parent=585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/categories?post=585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ercanbingol.com\/tr\/wp-json\/wp\/v2\/tags?post=585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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